The Ideal Museum DesignIntegration-Connectivity-ControlRecent years have seen both an unusual increase in the number of museums around the world and a surprising expansion and diversification of the services provided. This work focuses on museums as an intricate amalgam of historical structures and narratives, and how they have marketed their narratives and exhibition strategies to their audiences. The aim of this project is to investigate the changing and diverse culture of museums and art galleries as a socio-cultural environment. Can spatial design make a difference in people's minds, and if so, what kind of difference? What can we learn about the ability of morphology to influence patterns of space use by investigating the effects of local visibility relationships? How much of our experience of museums is shaped by the way galleries and objects are spatially planned? To explore these questions, I began my research by investigating the role of museums in current culture by narrowing the field to three cases: the Herbert Art Gallery and Museum, the Louvre and the Center Pompidou. How does their architecture influence our experience of walking through them? What relationship does it have with the art exhibited? Intrigued by these questions and convinced that space can be seen as the content of the museum building, as important as the objects themselves, this article presents answers regarding the relationship between spatial design and exhibition layout. I started to conduct secondary online research on the characteristics of museum websites to find information about the architectural layout and division of spaces. My main findings focus on structured narratives in exhibition layouts with the help of visitable sequences and gathering spaces... at the center of the card... will balance the authority established by the reception (inspector's lodge).In conclusion the My conceptual model is a proposed representation shaped by a set of underlying theories. It is a way of reading the museum as an educational and recreational space. The ideas could be a source of inspiration for potential designers for their strategic planning. Even more importantly, the model can always be improved through new theories on space management and exhibition layouts. This project made me understand that enjoying art and appreciating the architecture of a building are not contradictory goals but complementary aspects of a museum visit. After leaving a museum we leave not only with knowledge of the art but also with different states of mind that can only be shaped by the environment. The museum experience is a whole package of stimulants such as color, space, light and movement.