The 17th century is known for its terrible events, one of which is the spread of the Black Death. However, artists and painters were still inspired to create works of art which began the Baroque period. The Baroque era consisted of theatrical themes, music and operas that distracted people from the danger and death that happened every day. In contrast, Bartolomé Esteban Murillo, a Spaniard from Seville, created many works of art that show what happens in the real world. He never sugarcoated anything, he drew all of his works the way he saw everything. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Bartolome Esteban Murillo used oil paint, a watery medium, in his painting The Young Beggar. He used a very common baroque technique which consists of diagonal lines, vertical lines and axis with warm colors to create a painful theme for his painting. He used very well defined features to create a very realistic and detailed image of a ruggedly dressed boy who appears to be living in a dusty, abandoned room. Use analogous colors, three colors side by side in the color wheel, to blend and combine certain colors so that certain elements can stand out. For example, the rooms themselves display a mixture of brown, black, brown and bronze to show the way the little boy is pop put and is illuminated by the window light. The light coming from the window creates a great contrast between the boy and the room, it allows us to see the main message and the focus of the work. Not only does the room have a mixture of dark colors, but it also has the value of showing the boy's shadow and indicating the boy's movement. Illustrates as if the boy is fidgeting or eating. Additionally, the many shapes and forms in the painting create movement through the image. For example, the apples fallen next to the boy, the shrimps on the floor and the ray of sunshine coming through the window. All this was done using a canvas that was first impregnated with plaster and then used as a support for the masterpiece to be created. Seville, Spain was Murillo's hometown where he was born and raised. He was born on December 31, 1617 to a barber and doctor, Gaspar Esteban, and his wife Maria Peres. He had 14 other siblings older than him, but when both parents died he had to go to an orphanage. Luckily, it wasn't long before his older sister got married and was able to adopt him and the rest of the siblings. From there he began to grow and realize that he wanted to become an artist like his uncle. He was a very religious Spaniard from an early age but as he grew up he was inspired to paint what his religion believed in. What he believed in. Once he married and started a family, he delved into his religion, the Roman Catholic one. He began creating artwork regarding his morals and scenes of people, especially children, whom he adored. Early in his career he looked up to Diego Velázquez, who was quite well known for his art. He was able to be as great as he was and be known for having such great success creating thought-provoking paintings. Murillo was a painter when the plague was spreading in the back, and he always saw many orphaned children on the streets, indicating that there were many things to do. of children who suffer. He wanted to cultivate the image to show people around the world what children were going through and what the plague had done to families. One day he saw a beggar boy sitting on the corner of an abandoned building and tonight was his chance to speak to the world. The boy was sitting on the cold stone with torn rags covering him a.