Index IntroductionImagery, diction, motifs and similesTheme, symbolism and characterizationIntroductionThe description of the breeding room is the first paragraph of the novel. The vivid images create a futuristic atmosphere that focuses on the dependence of technology on controlling human life. Only from the yellow stems of the microscopes did he borrow a certain rich and living substance, which lay along the tubes shiny as butter, stripe after succulent stripe in long recession along the worktables. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The continuous description of the Fertilizing Room uses simile to create a perfect image in the reader's head. The cloning process seems like a very smooth task. And indeed, the sultry darkness into which the students now followed him was visible and crimson, like the darkness of closed eyes on a summer afternoon. Imagery, diction, motif and similes The image of the children following the director shows how the government controls people so easily. Even if children cannot clearly see what is happening, they continue to do what they are told. He pointed upwards. Like chickens drinking, the students looked up at the distant ceiling. In the scene the children are depicted as mindless. They are compared to chickens, animals that are usually genetically modified. “And this,” the Director interjected sentiently, “this is the secret of happiness and virtue: loving what you have to do. All conditioning aims at this: to make people love their inevitable social destiny." This quote refers to the fact that the government controls a person's place in society and makes them enjoy it. The quote helps develop the theme that false happiness is created when people are forced to conform to certain ideologies. And the house was squalid both physically and mentally. Psychically, it was a rabbit hole, a dunghill, hot with the friction of a busy life, stinking of emotion. What suffocating intimacies, what dangerous, unhealthy, obscene relationships between the members of the family group! Mustapha refers to family, love and “home” as a restriction on the previous life. It makes children believe that life before "everyone belonged to everyone" was ridiculous. The government constantly plants information into the minds of children to make them believe that the World State knows best. Mother, monogamy, romance. The fountain gushes high; the wild jet is fierce and foamy. The impulse has but one outlet. My love, my darling. No wonder these poor pre-moderns were mad, evil, and miserable. Their world did not allow them to take things easily, did not allow them to be sane, virtuous, happy. Partly with mothers and lovers, partly with the prohibitions they were not conditioned to obey, partly with solitary temptations and remorse. , with all the illnesses and the endless pain of isolation, with the uncertainties and poverty, they were forced to feel strongly. And feeling strongly (and strongly, moreover, in loneliness, in hopeless individual isolation), how could they be stable? In the quote above, the director talks about life outside the World State. He says that illness and isolation create evil creatures. Furthermore, in the pre-modern world, the person was not “conditioned to obey,” which is a huge theme in the World State. “Now, this is progress, old men work, old men copulate, old men have no time, no leisure from pleasures, not even a moment to sit and think - or if ever by some unfortunate occasion suchcrack of time should gape in the solid substance of their distractions, there is always soma, delicious soma, half a gram for a half holiday, a gram for a weekend, two grams for a trip to the splendid Orient, three for an obscure eternity on the moon; returning from where they find themselves on the Across the crevasse, safe on the solid ground of daily work and distractions, running from one feeling to another, from girl to pneumatic girl, from electromagnetic golf course to. ”Soma symbolizes false happiness. It creates immediate happiness that fades in a short period of time. The drug is another technological advancement used by the World State to control its population. And waving his hand he ran off across the wide flat roof towards the hangars. Bernard stood watching the shimmer of white stockings, the sunburned knees bending and unbending briskly again, again, and the softer roll of those well-fitting corduroy shorts beneath the bottle-green jacket. This vision of Lenina shows Bernard's inner feelings towards her. It further develops Bernard's character by showing that he has real feelings, which are considered evil in the World State. One more reason to call him an outsider. Men who never had to shout at an Epsilon to get an order to be obeyed; men who took their position for granted; men who moved through the caste system like a fish through water, so completely at ease that they were unaware either of themselves or of the beneficial and comfortable element in which they found themselves. o Simile and Characterization (65)o Bernard envies men who find life easy, men who are not considered outsiders. This quote helps develop a character for Bernard who lacks confidence. Words can be like X-rays if you use them correctly: they go through everything. Read and they pierce you. Comparing words to X-rays makes the use of language extremely important. This quote could foreshadow a Helmholtz rebellion or at least an event in which he speaks out against the World State. The forest of Burnham Beeches stretched like a great pool of darkness towards the bright shore of the western sky. Crimson on the horizon, the last of the sunset faded, through orange, upward into yellow and pale teal. To the north, beyond and above the trees, the Internal and External Secretions factory shone with a fierce electric brilliance from every window on its twenty floors. Through the description of the World State, a disturbing atmosphere is created. The large pool of darkness and ferocious electric brilliance paint a stunning and stark picture. “I don't understand anything,” she said firmly, determined to keep her incomprehension intact. "Nothing. Least of all," he continued in another tone, "why don't you take soma when you have these terrible ideas of yours. You would forget them completely. And instead of feeling unhappy, you would be cheerful. So cheerful," he repeated and smiled, despite all the perplexed anxiety in his eyes, with what must have been an inviting and voluptuous persuasion. Theme, Symbolism, and Characterization Lenina expresses that she cannot understand why someone like Bernard would not be satisfied with the World State. Lenina does not criticize the government and finds it absurd that Bernard questions the world state. Lenina symbolizes all those who are afraid of developing their own sense of individuality, in the novel and in modern times. It's just like the average person under government control who doesn't know how to defend themselves. Lenina uses soma to describe the technological advantages of false happiness. He had often wondered in the past what it would be like to be subjected (withoutanything and with nothing but one's own internal resources to rely on) to some great trial, some pain, some persecution; he had even desired affliction. Bernard wants something more than the World State can offer. He wants to know what it's like to feel, even feel pain. However he cannot because the government will not allow such behavior. He reached into his pocket for his soma, only to discover that, in an unprecedented oversight, he had left the bottle at the retirement home. Bernard's pockets were also empty. Soma is a mental technology that helps develop intelligencetheme that people can be controlled through the innovation of technology. Soma is the clearest demonstration of mind control in the novel. The strange words crossed his mind; it boomed, like speaking thunder; like the drums at summer dances, if the drums could talk; like the men who sang the Corn Song, beautiful, beautiful, so much so that you cried; like old Mitsima who works magic on his feathers, on his carved sticks and on his bits of bone and stone: kiathla tsilu silokwe silokwe silokwe. The quote above is John's reaction to the first page he opens in Linda's little book. He doesn't really understand the language, but the words are so powerful that he is intrigued by them. It is similar to Helmholtz's quote that words are like terrible and beautiful, by Linda; of Linda lying snoring, with her empty cup on the floor next to the bed; about Linda and Popé, Linda and Popé. Paradox, a terrible and beautiful magic, describes Linda. It is both a blessing and a curse in John's life. Although he loves his mother, she beats him and makes him a victim in the Wilderness Reserve. She's a curse because she's from the World State, but John loves her like his mother. The bruises hurt, the cuts still bled, but it wasn't the pain that made him sob; it was because he was all alone because he had been cast out, alone, into this skeletal world of rocks and moonlight. John is very similar to Bernard in the way they both feel alone and excluded from their societies. They are both outsiders and see the world as empty. There, on a low bed, with the sheet thrown back, dressed in a pair of one-piece pink zip-up pyjamas, lay Lenina, fast asleep and so beautiful in her curls, so touchingly childish with her pink fingers and her sleep serious. face, so confident in the helplessness of his limp hands and loose limbs, that tears welled up in his eyes. Lenina's vivid description implies that John truly loves her. He thinks she is so beautiful that tears came to his eyes. Lenina wonders if John likes her because he denies her, but in this scene her affection is overwhelming, she just doesn't know how to show it. “He has shown himself to be an enemy of society, a subverter, ladies and gentlemen, of all order and stability, a conspirator against civilization itself. This is why I propose to fire him, to dismiss him ignominiously from the position he held in this Centre; I immediately propose to seek his transfer to a sub-centre of the lowest order and, so that his punishment may serve the best interests of society, as far as possible from any major population centre. The director proposes to fire Bernard for defying the rules of the World State. However, he himself broke one of the most vital rules of society. The director later resigns due to his impudent act, but was reprimanding Bernard for a minor infraction. Soma played none of these unpleasant tricks. The holiday he gaveit was perfect and, if the next morning was unpleasant, it was, not intrinsically, but only in comparison to the joys of the holiday. The remedy was to make the holiday continuous. He eagerly clamored for ever larger and ever more frequent doses. Dr. Shaw hesitated at first; then let her have what she wanted. He took up to twenty grams a day. Linda loves soma to feel better, but soma is what ultimately kills her. She describes vacations as a continuous remedy, but it only creates a false happiness that leads to her destruction. Pierced by every word spoken, Bernard's balloon of happy self-confidence leaked from a thousand wounds. Bernard is untouchable once he returns to the World State with John. However, as soon as John stops participating in his glory, Bernard is considered false. The citizens once again recall his native defeats, and his praise ends. What should have been the highlight of Bernard's entire career had turned out to be the moment of his greatest humiliation. Bernard expects to become even more famous once John attends his party. However, John refuses and Bernard never arrives again. He expected a culminating moment, but instead it is denoted by the company. “The author's mathematical treatment of the conception of purpose is novel and highly ingenious, but heretical and, as far as the current social order is concerned, dangerous and potentially subversive. Not to be published." He underlined the words. “The author will be kept under supervision. His transfer to the St. Helena Marine Biological Station may prove necessary.” Mustapha Mond controls everything that enters and leaves the World State. He does not allow citizens to access the great works of science, religion and history, but has unlimited access to these types of novels. Mustapha Mond is the only person who is allowed to disobey the rules, yet he created them also say “Dear!” and holding out his arms, the Savage retreated in terror, waving his hands at her as if trying to scare away some intruding and dangerous animal. Four steps back and he is thrown against the wall. John is disgusted by Lenin's sexual behavior disagreement with sex before marriage and cannot imagine that Lenina would try to persecute him. The ideology that “everyone belongs to everyone” is contrary to John's morals. However, John regrets denying Lenina and this situation an important factor in his suicide. A, B, C, vitamin D: the fat is in the liver, the codes in the sea Repetition and reason (201, 203, 204) o As Linda is dying, John repeats the conditioning phrase. of sleep that his mother so often referred to in his childhood. The citizens of the World State are conditioned to accept this phrase so that they can not fear or even believe in the disease, there is no room for them to be unhappy . The Savage watched. “O brave new world, O brave new world.” In his mind, the words sung seemed to change tone. They had mocked him for his misery and his remorse, they had mocked him with a hideous note of cynical derision! Laughing diabolically, they had insisted on the base squalor, the nauseating ugliness of the nightmare. Now, suddenly, they have issued a call to arms. “O brave new world!” Miranda proclaimed the possibility of beauty, the possibility of transforming even the nightmare into something beautiful and noble. “O brave new world!” It was a challenge, a command. John references Shakespeare's The Tempest immensely throughout the novel. In the Tempest, Miranda was as excited to see civilization as John was. However, they both experience a corrupt form of society and wish to return to.