In Virginia Woolf's 1925 novel, Mrs. Dalloway, flowers tell the reader many things about Clarissa. He uses flowers as pawns in his artificial game of life. Clarissa gives flowers human characteristics and develops human attachments towards them because she has difficulty understanding people. In other words, her ideal life is created when she replaces the people in her life with semblances of flowers. When she finds human interaction too challenging, she relies on her flowers for happiness and help in expressing her feelings. The novel shows her interacting with flowers and using them to represent people in her life that she may have difficulty relating to. Having just made all of these observations about Clarissa, it is crucial to note that these observations apply to the real Virginia Woolf. She uses Clarissa to express emotions that she can't express on her own. Ultimately, Woolf insists that flowers provide Clarissa with a language to express her emotions and create her ideal life while at the same time Clarissa is a pawn in Woolf's artificial life. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay As readers, it is clear how important flowers are to the overall theme of the book by how early they appear in the novel. The first line reads: “Mrs. Dalloway said she would buy the flowers herself” (3). From the beginning, Clarissa makes it clear that she neither wants nor needs anyone to come between her and her flowers. As this scene unfolds, we see Clarissa heading to the flower shop, where she will enjoy the flowers she sees. The first thing she does is buy flowers when she enters the flower shop, "There were flowers: delphiniums, sweet peas, bunches of lilac; and carnations, masses of carnations […]" (13). This quote shows how fascinated she is by flowers and how every detail has a purpose for her. It is important for her to mention each type of flower. After this moment, the flowers continue to appear throughout the novel. Above all, they are an immense source of joy for Clarissa, who treasures the beauty of everyday life. Because of the joy she has found and the association Clarissa has formed with flowers, she uses them to make her "purpose" in life. that they could not survive without her; Clarissa finds joy in the fact that these flowers need her to survive, as do the people in her life further emphasizes how she connects them to her own life. She describes Miss Pym's appearance in the flower shop: “turning her head from side to side among the irises and roses and nodding tufts of lilacs with half-closed eyes. ...and dark and primitive the red carnations, holding their heads high; and all the sweet peas scattered in their bowls, dyed purple, white as snow, pale, as if it were evening” (13). Clarissa observes how similar flowers are to humans through her use of personification. He describes Miss Pym's head turning "from side to side" while, at the same time, describing "tufts of nodding lilacs" and carnations "holding their heads high". Clarissa gives the flowers similar actions to Miss Pym by giving them human movements and body parts. In essence, I am arguing that Clarissa sees the flowers as members of her life. He gives them actions and emotions as well as describing the real people in his life in terms of flowers. This shows the extent to which he has difficulty understanding people. Along the same lines, Clarissa recognizes how important each individual flower is in the larger scheme of life as are the people in her life. One such example is: "A flower like thiswholly admirable, so splendid that it grew on the crest of human life, and yet failed to reach the finish line" (159). Furthermore, he recognizes that a flower is a living being, fragile and unique. The “crest of human life” is the way it describes the place where flowers grow. I interpret this wording to mean that a flower is not that far from being a human being. Furthermore, it is just on the verge of becoming a living, breathing human life to bring attention to how he sees the flowers. They are very close to being human, if not already present in his mind. He finds it wonderful how similar the flowers are to the people in his life who he finds difficult to communicate with meaningful may each moment be: "[She] felt blessed and cleansed, saying to herself, as she picked up the notebook with the telephone message on it, how moments like this are buds on the tree of life, flowers of darkness they are, he thought (as if a beautiful rose had blossomed for his eyes only)” (29). Notice how a simple everyday task, like receiving a phone message, can be “a flower of darkness,” which is to say that it is deceptively beautiful in its own way. Furthermore, later in this thought he describes this event as a “secret storehouse of exquisite moments” (29). Clarissa has developed the ability to see things more than they appear. This skill is very crucial to his development as a person because he needs it to be happy with his life and the way he is. He uses flowers to describe this normal activity as extraordinary because he sees them as beautiful just as they are. Clarissa recognizes how each flower, and each moment, may seem insignificant but is actually quite special. Having just argued that flowers are important to Clarissa, we now turn our attention to how another character recognizes her passion. One such example is: “But he wanted to come in with something in his hand. Flowers? Yes, the flowers, for he did not trust his taste for gold; how many flowers, roses, orchids, to celebrate what was” (115). This quote explains how Richard wants to approach Clarissa holding flowers and tell her that he loves her. What's more important is that Richard knows that bringing flowers could make a big difference in Clarissa's reaction. The beauty of the roses seems to make her point: “she tended flowers: roses, red and white roses. (But he couldn't say he loved her; not in so many words)” (118). Richard doesn't need to say anything because his gesture with the flowers says more than a thousand words: “She understood; she understood without him speaking; his Clarissa” (118). Their wedding, therefore, would be nothing without flowers. They provide a gateway for emotional communication between Clarissa and Richard that would not otherwise exist. I showed how Clarissa uses flowers to describe the beauty and fragility of the people in her life, but they can also be used to demonstrate how these people feel comfortable. their low points. Clarissa explains: “from the laughter of a maid – intangible things you couldn't get your hands on – that shifting of all the pyramidal accumulation that in your youth had seemed immovable. Above them he had pressed; they weighed them down, especially the women, like those flowers that Clarissa's Aunt Helena used to press between sheets of gray blotting paper with Littré's dictionary on them” (162). This quote basically says that Clarissa is weighed down by the pressure of being young again. He uses flowers as a metaphor for life by saying that the flowers are crushed between these books at the same time that his youth is trampled upon. For processing, it is also subjected to pressure from multiple angles as the flowers are pressed “between sheets of gray paper towels.” Clarissa's inability to hold),.