The practice of sexual manipulation in cinema is still considered in most modern Hollywood roles assigned to women. The concept that women emerge to be represented in films as sexual objects is very helpfully explained in feminist theorist Laura Mulvey's essay "Visual Pleasure and Narrative Cinema." For this purpose, to reveal the interpretation of the role of Julia Roberts in Pretty Woman, Vivian Ward, is defined as a sex symbol. Using Mulvey's psychodynamic approach to visual pleasures and the dominant male gaze. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Cinema offers a variety of theoretically defined potential pleasures, such as scopophilia and ego drive. Scopophilia arises from the satisfaction of using other individuals through apprehension as an instrument of sexual arousal. Furthermore, the ego impulse develops through narcissism and ego reality, which emerges through familiarity with the represented image. Mulvey also manifests the concept of the male gaze which supports the belief that the pleasure of the gaze has been divided into active males and inactive females. The male gaze imposes its fantasy on the female character in cinema, the woman must remain fixated, while the male fixates her as an object of lust. It is sexually objectified by situations in which the female must be seen by the male. In this argument, she goes much further to suggest that the male gaze manifests itself in three forms: the man behind the camera, the male characters in the cinema, and the male spectators in the crowd. While we recognize what is meant by female gaze sexual objectification in cinema, by presenting several examples, I will continue to explain how this is depicted in Pretty Women. Edward accompanies Vivian to his hotel suite as the film opens as their first evening together. She is enjoying a movie while he watches her intimately from a chair. He stares at her as if she were an object of lust in later scenes, although Vivian does not realize that he is staring at her. This glimpse is often constructed with off-camera techniques that explicitly share Vivian's entire body, while the lens focuses exclusively on Edward's face. This is a great example of the case between productive males and inactive females. Vivian is constantly glanced at, although Edward is the only person who looks at her. Analyzing the image with the theory of the male gaze in mind, we can mention that the position of the male actor, organized by visual techniques, is used to construct a male gaze. A further example seems to be the scene in which Vivian, while deciding to take a shower, is humming. Edward, perhaps stopping by to take a look at what she's doing, listens to her. The male gaze is quite the same as the gaze in the image described above. The camera gets a close-up of Edward's face, while Vivian's entire body is portrayed. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay Once again, the male actor's point of view is influential in the direction in which the audience experiences the film. The actress, while the man also observes with interest, is inactive and fixated.