It is Edgar Allan Poe's extraordinary use of incongruity throughout The Cask of Amontillado that builds the tale as a fascinating candidate that deserves a careful examination. The skillful use of the gadget is used by the creator to make this terrible and intense perfect work of art. The use of inconsistency in the story provides it with diversion and intelligence and makes the piece more advanced. It is identified through the style, tone and distinctive use of embellishments by Montresor, the narrator. From the first starting point the user can see the nebulous vision of inconsistency in the story. The very name Fortunato would clearly suggest that he is a man of favorable fortune, when the reality is that he will suffer a mostly embarrassing end. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The setting in which history repeats itself demonstrates an unexpected component. It is during the Venice Carnival that the characters meet. The Jamboree should be a time of celebration and joy for everyone. Be that as it may, in the story it is a period of revenge and death. The climate changes definitively when the two heroes leave the joy of the fair for the squalid and devastated tombs under Montresor's palace. The reader learns from the narrator that when he first meets Fortunato he has obviously been drinking and wears numerous colors, resembling an entertainer. His ensemble proposes that he will play the trick. Then again Montresor wears a dark colored shroud and has his face protected by a dark covering. The way the narrator treats his opponent is one of the most obvious cases of funny elements. The moment the characters meet, Montresor understands that Fortunato is suffering from a severe cold, all in all testing him by looking 'surprisingly well'. Montresor behaves in the most even and agreeable manner towards the man who protests his punishment and even acclaims his "friend's" culture in matters of wines. Likewise, upon their meeting, Montresor initiates a mind control on Fortunato. He guarantees that he needs his intuition to discover that the wine he bought is actually Amontillado. He recognizes that Fortunato is busy with another activity (the fair party), so he would like to go to Luchresi, his own identity, made accepted, is a contender to that of Fortunato. At these words Fortunato is forced by pride to accompany Montresor to the basement (where the Amontillado is kept), dispel his questions and also demonstrate his superior status to Luchresi as a wine expert. Truth be told, during their journey into the tombs, Montresor's bent personality, proposes to allow Fortunato to back down, due to the relatively deplorable drenching and indecency prevalent in the vaults and the state of Fortunato's health. The narrator thinks unequivocally about Fortunato's uncompromising idea, and is sure that his pride will not allow him to back down. Fortunato proceeds along these lines, by his own particular will, on his journey towards death. The notable lines in the story are provided by Montresor because Fortunato says, "I won't kick a hack's bucket." To this Montresor reacts: “Genuine – true…” And then in the same way when the deceitful narrator toasts Fortunato's long life, realizing definitively that he was bringing the evil agreement of punishment to fruition. Further confirmation of entertaining segments is found with Montresor as "Mason". The user expects this to mean that he is an individual from the well-known group of men, but in reality he is a stonemason, someone.