In the first book of Richard Wright's novel “Native Son,” Mary Dalton is, to her parents' disapproval, a member of the communist movement set in 1930s Chicago. Mary attempts to realize her dream of eliminating barriers between African Americans and Caucasians by treating Bigger Thomas in an extremely warm and informal manner. This arouses a sense of bewilderment in Bigger, who is used to being treated inferiorly by whites, and becomes uncertain about how he should behave towards her. Mary's ignorance, naive nature, and "good intentions" ultimately condemn her to a fiery furnace, metaphorically comparable to its own form of "hell", and her gruesome death proves to haunt Bigger in the form of searing flashbacks throughout the rest of the first book. We say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Mary Dalton unintentionally causes her own death in several ways. She makes her first impression on Bigger when she appears in a movie he watches. His leisure lifestyle is characterized by abundant wealth and waste, which fills Bigger with “a sense of excitement about his new job.” The fact that he indirectly persuaded Bigger to vaguely accept the job, but ultimately results in his murder. On a finer scale, most of Maria's many actions also serve as tinder that ignites her death. For example, it constantly moves in very close proximity to Bigger. He is able to "smell her hair" and at one point Mary even has "her face about six inches from his." Although Miss Dalton feels that these actions exude a feeling of welcome, they inevitably evoke an attraction in Bigger, with Mary being the object of interest. Furthermore, she also allows herself to get heavily drunk by drinking large quantities of rum with her communist boyfriend, Jan Erlone. When Mary arrives home with Bigger, she cannot reach his bedroom without assistance. Bigger accompanies her, leaving him alone with Mary in his room, presenting a troubling situation. As a result, Mary's recklessness and overtly inviting ways contribute to her unfortunate fate. Although Mary tries to help African Americans, she knows little about them. As a result, he immediately attempts to befriend Bigger just because he is black, not because of who he is as an individual. He exemplifies this when he asks Jan if he knows any African Americans, then states “I want to meet some.” Additionally, he attempts to sing their "spirituals", but Bigger secretly acknowledges that it is the wrong tune. Later, he further demonstrates his lack of knowledge when he states that he wants to see a black house and states that “they must live like we live.” He later generalizes about African Americans by praising the fact that they "feel so many emotions." Even if she doesn't realize it, Mary's stereotypical view of blacks stems from exactly what Jan is trying to combat with racism. Instead of making Bigger feel equal, it does the opposite, making him feel more aware of "his black skin." . As a result, Bigger develops a sense of mild contempt, along with fear and confusion, towards Mary and Jan. Although the character of Mary Dalton only appears briefly in the story, she plays an integral role. His political affiliation with the Communists provides an escape route for Bigger Thomas. His murder will also forever change the life of Bigger, who is now constantly burdened by his crime. However, this gives him a sense of satisfaction and he now feels that his life has a purpose. Bigger's character goes from feeling that his life as an African-American was "just like living in prison" to now having the responsibility and.