The Taming of the Shrew offers the reflection on marriage in Shakespearean society. Ideas of patriarchy, female domestication and subjugation, economic interest and the use of noise and love come together in the plot of the work according to the roles by which the shrew, the husband and the paterfamilias are defined. The patriarchal control of the husband opposes the hag. In The Taming of the Shrew, Petruchio embodies male dominance in marriage while Kate represents female rebellion. Petruchio's imperious control in courtship and marriage is represented as the accepted standard of lover and husband. One must prevail over the other, but there is a constant war and friction between both sexes in the said war of attrition, however it is the wife who must ultimately give in to her husband and submit. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The domestication and systematic domestication of women figure prominently in The Taming of the Shrew as they break down the other woman's will to resist, rebel, and take revenge. Given Kate's disposition, she meets the criteria of someone who needs to be tamed. Despite Kate's submission to marriage, she undermines the system because, although Petruchio has her loyalty and outward deference, she still questions the rationality of her husband's directives. He bends to Petruchio's requests and allows him to consider himself the leader of the relationship. The Taming of the Shrew supports male domination and despises the wife's expected submission almost to that of a son. The play satirizes both female liberation and male mastery in marriage. The Taming of the Shrew can be described as a satire of male dominance. The introduction is an indicator and precursor to Kate's superficial and illusory transformation from shrew to obedient wife. Kate obeys only to achieve her own ends and to serve her best interests in the marital relationship. Added to this is the role of paterfamilias, or paternal government. As a spinster, Kate is under the control of her father, Baptista who represents the paterfamilias in the home, the burden falls on Baptista to secure marriage for both of his daughters. Baptista decrees that Kate must marry before her younger sister Bianca. This ploy increases Kate's desirability and he uses it as a ploy to bet that both daughters are married and that his hands are free. Marriage of convenience is at the forefront of the themes as marriage and money form a happy union. According to tradition and the time, the show is full of commercial interests where the delicate issue of negotiating the dowry is addressed and where the father benefits from the sale of his daughter. The interest of the suitors was to bequeath the inheritance of the father and that of the wife. The mercenary interest of profit devalues ​​the value of marriage and transforms the bride into a common prostitute who goes to the highest bidder. Baptista basks in the security that his daughters' suitors are rich and have a certain financial prestige. The socio-economic situation highlights the plight of the single and married woman who is forced to depend on the male for financial support as she is under the domination of her father and husband, fulfilling the role of paterfamilias. Petruccio employs noise, volume, sonority, vehemence. and petulance to assert his control as husband and ruler of the house. These traits reflect virility, male power and authority. Petruchio's use of sound rivals Kate's. The defense of. 1975