Although August Wilson's Fences does not display the degree of senseless violence projected in King Hedley II, both exemplify the harsh circumstances of African American communities in the 1950s and 1980s respectively. Wilson draws contrasts between his characters in these plays, such as King's criminality and Cory's inability to escape Troy, to highlight the troubling regression of their environments. The author uses these characters to emphasize a sense of no escape, as if to say that there was almost no other option but for King to die from a bullet and Cory to escape. Although Cory appears to be significantly better off than King at the end of their respective plays, both succumb to the limitations set by society as a result of their efforts to escape them. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay While King openly deliberates on society's reluctance to let him grow up, Cory's family is unable to recognize that running away from Troy has not freed him from the desolation the fate Wilson illustrates in African American communities. Although King doesn't understand his protectiveness towards his suits or why he feels restricted by society, Wilson uses his open frustration and recklessness to address the significance behind his restrictions. King doesn't know why Ruby complains about the quality of his filth, but it reminds him of the other times people have told him, in one way or another, that he's not good enough. King cannot become better than society's perception of him due to his prejudices towards his race, but by repeatedly breaking the law he unintentionally proves their unjust opinions to be correct. Ironically, both King and Cory find themselves limited by society and try to escape it, which leads them to do exactly what is expected. While Cory runs away from his physical obstacle, namely Troy, King conforms to the harshness of his environment. Unlike King in King Hedley II, the characters in Fences do not realize that society has prevented Cory from growing up freely. Although his mother and Bono seem impressed by his reasonable triumph, becoming a Marine corporal in the time he has to advance is not as great a feat as it seems. It's important to note that Cory's work at the end of his play is appropriately much more respected and noble than King's illegal scam, because Cory is clearly the more reasonable character. However, the man Cory is when he returns is not in line with the personality and dreams he had when he left. He returns as someone other than himself, an inevitable product of society, rather than as the enthusiastic boy who wanted to play football. Wearing his country's uniform also suggests that he is now abiding by their rules and symbolically represents his conformity because society, whether he wants to admit it or not, has changed the young man. While both characters value the bond they share with their families, Wilson uses King's inability to reach the same level of mature understanding as Cory to explain King's irrational fixation on father figures. Wilson makes clear that King senselessly rationalizes Pernell's murder through his self-assigned mission to give meaning to his scar. In this sense, Cory, although younger, displays a clearer ability to distinguish between right and wrong, which would make sense considering he is doing well in school and is sought after for college football. However imperfect King's idea of ​​meaning may be, it is justification enough to commit cold-blooded murder, which.