The short story of 'He Who Leaves Omelas' is composed by Ursula K. Le Guin. The story opens with a depiction of a perfect city, Omelas, which brilliantly transcends the ocean and the residents praise the celebrations. The harbor glittered with flags on rigged boats. All the people were dancing, the pace of the music was faster, a twinkle of gong and tambourine, their procession was just dancing. The scene seems like a joyful fairy tale. The young men fled in and out, their lofty thoughts rising like the flights of swallows, above the music and singing. All the children, boys and girls, wandered naked in the clear air, covered in mud from top to bottom. Everyone just seems happy. Now the author talked about the people of the city of Omelas. He describes that they were not simple people, they no longer say happy words much. They looked for the new ones surrounded by their knights, or perhaps by large and muscular slaves. But there was no king. The narrator also explains that he did not know the laws and regulations of the society, but he suspected that they were very few. These individuals have come to understand what is essential, what is risky, and what is both or not. Those things that are indispensable, they have. Those guilty pleasures that are neither essential nor ruinous, they have them equally. Omelas is a cheerful city where good, intelligent and enthusiastic adults live. Their lives are not desperate, nor are they serious. The city has a confirmation of joy; reached an agreement, but how and with whom is unclear. The situation is this: in a room under the city there is a crippled, panicked and half-starved teenager, and everyone who is most energetic in Omelas understands that the child is there. In this way, the general public has been shown the terrible truth of value, and they base their lives on it. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay After that the narrator clarifies the terrifying basis of this commercial. A young boy is held in great humiliation, in a slimy, austere little room in a stormy cellar. No one turns to the child and the child is malnourished as in most cases he suffers from hunger. Boy is typically alluded to as "it" rather than sex. Everyone in the city thinks of the young man. In short, the tyke is the cost of the city's bliss and joy. Almost everyone is amazed when they are told about the boy and some even express their guilt, but many of them later manage to recognize the circumstance and see the boy as unhappy. Additionally, some people choose to leave the place. The narrator himself does not think about where they are going, but none of them recognize the boy's misery. The story depicts the frightening and unpleasant condition of the human condition. Individuals and social orders have always struggled with ethical quality when faced with situations of what happens and what is right. The story portrays a brilliant network praising a mid-year celebration. This outlines Omelas as a city of unlimited satisfaction. After all, all these comforts come with a job of a heartbreaking condition. The story conveys the exemplary nature message of being truly content; we must defend what is right, regardless of whether it involves renouncing what is recognizable. Omelas is an ideal place to live. Omelas individuals live an ideal existence without pressure and stress. In fact, even the general population of Omelas has to do penance by handling the penance of a little boy who fails to realize total and extreme joy. After knowing the satisfying reality of Omelas, the inhabitants of Omelas are left with two alternatives..