It was the invention of clothes and certainly not the imperative of nature, that made the “private parts” private. The things we don't usually see. The Nude: Art from the Tate Collection follows the nude through two hundred years of art and, as the title suggests, draws from a single source: the Tate collection. It is a spectacular thematic tour de force through a mix of major artistic movements, including Romanticism, Cubism, Expressionism, Realism, Surrealism and Feminism. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay More than one hundred works of art are divided into eight chronologically ordered sections: The Historical Nude, The Private Nude, The Modern Nude, The Real and Surreal Bodies, Paint as Flesh, The Erotic Nude, Body Politics, and The Vulnerable Body, intended to reveal the perception of bodies across time and raise questions about beauty, desire, truth, mortality, equality and power. The centerpiece of the exhibition is Rodin's iconic marble sculptural blend of eroticism and idealism, The Kiss, in the Erotic Nude section, with its fluid and smooth modeling, dynamic composition and fascinating theme. Picasso's portraits never disappoint and the depiction of his lover Marie-Therese Walter and his redefinition of the human figure are no exception: in line with the school of British Vorticists, he channels the signs of their times into something dynamic, edgy and at the same time completely abstract. The theme of the Harem girl or the odalisque pervades Matisse's works, while Pierre Bonnard's rich color palette with his cropping of figures gives an interesting and different perspective, accentuated by the shift of attention to the main events at the margins of the 'image. canvas. Francis Bacon's expressively brushstroked and suggestively distorted nudes following the suicide of his lover, Georg Dyer, and Lucian Freud's nude portraits dominate the Paint as Flesh section. Bacon's Triptych seems like a memento mori with Dyer struggling in vain to survive and with what death has not already consumed seeps incontinently from the figures like their shadow. Body Politics features works from the 1970s, when the naked body in art became a political statement as feminist writers and artists began to question the power imbalance in traditional nudes and thus challenge stereotypes. The Vulnerable Body features newer artworks that focus on vulnerability, imperfection and a sense of mortality. Photographs of women holding their babies shortly after giving birth serve as a reminder that the way we all enter the realms of this world would have made us prime candidates for the exhibit. Ron Mueck's astonishingly lifelike verisimilitude, the nine-foot-tall Wild Man seems so uncomfortable in his (foreskin) skin that he would like nothing more than to join you as we exit the exhibit's gift shop - a display of anxiety, intimidation and vulnerability as a result of objectification. A turning point. The journey through human emotion and the depiction of its physical embodiment in its purest state is curated by Justin Paton, Chief Curator of International Art at the Art Gallery of NSW, in tandem with Emma Chambers, Curator of British Modern Art at Tate. They wanted to demonstrate that the nude has changed radically over the last two hundred years with the constant awareness that the representation of the model has always been closely linked to the social, political and personal relationships between the artist and his object. Keep in mind: This is only a example. Get a custom paper from our expert writers now. Get a custom essay.