It should be impossible to read nineteenth-century British literature like Jane Eyre without considering notions of imperialism and colonialism. In that era, both were crucial and part of the image of England not only for the British people, but also for the rest of the world. (Spivak, 1985) Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay As a result, people's works have also been influenced, such as literature in this case where Bronte portrays Bertha a "third world" woman as "mad" the Caribbean islands and uses her as a tool to assist Jane Eyre who is an English woman. However, Bronte does not ignore colonialism, as he uses it in all of his major novels. In Shirley and Villette the two heroines of her two novels are in love with men who wish to immigrate to the colonies and marry foreign women from there. In Jane Eyre Bertha is presented as native and gives individuality to the white Jane through the difference in her color, while in Wide Sargasso Sea Bertha is a white creole rather than a native. There are many differences between the two women even though they have the same character. (Meyer, 1990) Rhys chose to rewrite the novel from Antoinette/Bertha's perspective, as he felt that Bronte weakened the entire character, a character who had her own origins and who was "offensive" to her race by being GOOD . As a result, he created a relationship intense with desire and marked by profound tragedy. For readers of Jane Eyre the name Bertha is changed a lot in the name of female madness. Madness meant anger and therefore protest. Bertha is described as a “voracious, sexualized monster.” Henry Maudsley described the woman as a “raging fury of lust.” Mr. Rochester is confined due to his illness in a sort of moral quarantine: Mr. Rochister does not want to be contaminated and locks her in the attic since even the doctors have declared her crazy. That means she was locked up. She remains silent and never tells her story, while Rochester's narrative is presented as stable, reinforcing his position as a rational Western subject. The madness in the vast Sargasso seas thus marks, with the woman's capitalization on the narratives of others, the beginning of her nascent belief that words do not exist. use , I know I know” (135). Giving up words means giving up the battlefield to representations of the figure of Rochester, which will become universal. When Antoinette arrives, madly to participate fully in her renaming Bertha Mason realizing the expected finale in which her husband's ancestral home burns down, we can't help but think of the burning parrot at the beginning of the novel falling from the roof of the house. another house on fire, Antoinette's childhood home, screaming in imitation of the words "Qui est la"? (Caminero-Santangelo, 1998)Charlotte Bronte created a character, Bertha Mason, who over the last two decades has become one of the most important characters in English fiction. Bertha is the threatening form of Jane's resistance to male authority, of her fear of that sexual surrender that will seal her complete dependence on passion. He is of West Indian and Creole origin. As a member of the colonial nouveau riche she is considered inferior to the old English families; as the daughter of a former slave-owning plantation owner, she experiences a reminder of the sordid origins of her wealth. Bertha tearing away the wedding veil and bending over Jane's bed is seen as a fantasy of sexual violation. The need to protect Jane is felt by both Rochester and.