In November 2010, Lichtenstein's 1964 painting "Ohhh Alright" sold for $42.6 million at Christies New York. Lichtenstein himself would have found it suffocating, as he said who pays so much for what he called “used canvas”. "Ohhh...Okay..." comes from the June 1963 issue of Secret Hearts #88 by Arleigh Publishing Corp. (now part of DC Comics,. one of many works created by After 1963, Lichtenstein's After 1963 using comic images of women often distressed and elegant in appearance, painted in the 3 primary colors. women based "...tough looking, sharp, fragile and uniformly fashionable in appearance, as if they all came out of the same pot of makeup. “Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Shouldn't Be Banned”? Become Original Essay This particular example is iconic and one of many cropped so closely that hair flows beyond the edges of the canvas. Often they are canvases featuring women in distress. This image portrays an iconic, anxious image of a beautiful woman with a ragged, furrowed brow gripping the phone with both hands while saying "Ohhh... okay..." What he likes is the way he holds the phone," says National Gallery curator Harry Cooper. "He's caressing the phone, and I think that in some sense he would rather have a relationship with the recipient than with whoever is on the other end of the line. (Stamburg 2012). It was painted at the height of Lichtenstein's painted Lichtenstein using cut out and enlarged dots from the original comic image You might think that each dot was hand painted, but the technique he applies involves the use of a variety of stencils, the use of enlarged dots, cropping and l enlargement of the original source. Lichtenstein did not paint every single dot by hand. Instead he used various types of stencils with perforated dot patterns. With such precision, he transformed commercial images into works of art. Ohhh... Okay. . it is suggestive, sensual and perhaps reflects the vision of women of the time. She seems vulnerable, almost in tears but at the same time composed and in control of her emotions. She brushed the paint on the top of the stencil and the colors fell like perfect circles. In doing so, he was elevating commercial images from comics and advertisements to art. An image, with its precision and simplicity, evokes emotions and ignites the imagination. Abstract artists would probably have found this upsetting as Abstract artists were probably appalled as they saw their entire world of angst vanish with this ironic and witty yet beautifully executed work. The use of comics appealed to Lichtenstein, although he was not a fan of them and could never return to the earlier art form of his early career. However, the influence of Picasso was very evident in his work, as well as Matisse and Monet. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay His approach to work was joyful and playful, and By 1964 he was an internationally renowned artist even though there was still great controversy about pop art. He treated his work more as a sign than as a subject and saw it upside down and reflected in the mirrors, as if to eliminate any excess or duplication. He thrived on contradiction and transformed his original sources of inspiration. He believed that the location of the lines was important rather than its character. Roy Lichtenstein left it up to viewers to decide what just transpired in his 1964 painting of a tense phone call titled “Ohhh…Okay”. ...”