The spectator has the privilege of being 'invisible', of looking without being looked at.' (Jackie Stacy, 2013, p.21). The act of voyeurism is suggested to cause people a secret pleasure, sometimes it is connected to sexual pleasure for some, thus it makes them have a connection with the movie. The main difference in directorial styles is the way violence and special effects were composed in the films, as in Rear Window the techniques used to create the film were produced without fancy CGI as the atmosphere and narrative are enough to captivate the audience and the violence was we can't be this bad because of censorship. (Schauer, 2007) stated, “Rise of a cinematic aesthetic that asserts its presence much more forcefully than the 'invisible' camerawork and editing of classical Hollywood.” A flashy, eye-catching style and innovative special effects can allow a particular film to rise above the competition and attract a large audience.' This expansion of new techniques creates a larger following of people who appreciate the visual effects of the scene accompanied by narrative. However, the style in which the film is shot, with a mysterious atmosphere, alone attracts the audience as they are unable to detach themselves from the story thus becoming part of it as an "invisible" character. Through voyeurism we see it from the point of view of the main character who we